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- Then your flue is building up harmful deposits of tar and creosote, a major cause of chimney fires!
- Creosote build-up depends on the number of fires and type of wood you burn.
- You need CSL!
- Improve the performance of your fireplace or wood stove by using CSL.
- Use CSL when there is a noticeable creosote build-up or before mechanical sweeping.
- CSL is an important part of your chimney maintenance program.
- Independent test results demonstrate that using a single Chimney Sweeping Log can reduce creosote deposits by up to 65% (72% by weight)!
It not only reduces the weight and thickness of the deposits, but will also reduce the flammability of any remaining deposits, which are also then more brittle and less dirty. This makes visual inspections and any subsequent mechanical sweeping, easier, cleaner and much more efficient!
The more creosote that your chimney has, the more difficult it will be to clean your flue. (In some extreme cases, it might even be necessary to replace the flue).
Only a qualified chimney expert will be able to determine your overall chimney condition. If you are uncertain about its condition, have an expert do the inspection.
Regular use of CSL, will continue to reduce the dangerous build up of creosote in your fireplace or wood-stove, thereby keeping it cleaner and safer to use.
For fireplaces that have not been cleaned for some time or have excessive creosote build up, we suggest burning a second log approximately 30 days following the first one, to further reduce built up levels.
- Company: CSL
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- ISBN: 0470442212
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- ISBN: 0062503545
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Leave the cleaning to a robot with this convenient machine. Its 14.4-volt rechargeable Ni-MH battery provides the power needed to clean hard floors, shop carpets, garage and basement areas, as well as industrial-floor surfaces. In addition, specially designed counter-rotating brushes spin almost 1,000 times per minute, sweeping up dirt and debris that cling to rough surfaces. Simply press the "clean" button and the unit sweeps under workbenches, cars, and other hard-to-reach places, picking up nuts, bolts, dirt, and more. For added convenience, "cliff" sensors keep it from falling down stairs or other vertical drops. The unit offers an oversized, bagless, easy-to-empty debris bin, and its power supply fully charges in seven hours. Accessories include a standard battery, a standard charger, a cleaning tool, and an owner's guide. The cleaning machine measures approximately 13 by 13 by 4 inches and carries a one-year limited warranty. |
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Swiffer Max Starter Kit, Each Kit Consists Of: A Lightweight & Easy To Use Sweeper With A Flexible Swivel Head That Is Twice The Size Of The Regular Swiffer Plus 6 Swiffer Max Dry Cloths, The Swiffer Max Is Perfect For Large Floors & Other Large Household Areas. |
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Ideal helper for waiters. Nylon bristles pick up all table debris. Cover snaps off for easy cleaning. Sold by each. |
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Those who have enjoyed this program on PBS need only be told that it is available on home video. André Rieu is a master of light classical music, and here he is at his best. The program was taped live, outdoors in the Piazza de la Republica in the Italian cty of Cortona. Rieu addresses the audience in fluent but sometimes charmingly awkward Italian, with English subtitles. From the opening moments he has the vast crowd in the palm of his hand. They whistle for him in "Chanson d'amour," clap in unison for the "Toreador Song" from Carmen, the "Radetzky" march, and the galloping finales of the William Tell and Light Cavalry overtures, and sing along in "La donna e mobile," the drinking song from La traviata, and, most movingly, the Italian national anthem and "Va pensiero," which is almost a national anthem. The music is basic classical top-40, with an emphasis on opera and a lot of Italian music, including "The Carnival of Venice" and the Grand March from Aida. The performances are full of energy and technically skilled. Rieu conducts, plays his violin, and generously shares the spotlight, notably with soprano Carmen Monarca, mezzo-soprano Carla Malfioletti, and several singing and dancing young ladies who might have stepped out of a Botticelli painting. Visuals include, besides the concert, a charming Tuscan landscape and a ride in a Venetian gondola. --Joe McLellan |
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How do you adapt a record once described as "the most depressing album of all time" into a multi-media stage performance? Rather well, when it comes to Lou Reed's Berlin. The former Velvet Underground mainstay was already established as a solo artist, buoyed by the hit "Walk on the Wild Side," when he released the Berlin recording in 1973. That it was not a commercial success, to say the least, is unsurprising, given its relentlessly grim lyric content and music that, while often very appealing, is hardly the stuff that Top Ten dreams are made of. Still, it made sense when Reed revived the work some 35 years later for a single world tour and concert DVD. Working with film director Julian Schnabel (The Diving Bell and the Butterfly), Reed brings a quiet power to his weary tale of hopeless junkies Caroline and Jim, whose lives, already bound for the gutter when the performance begins, completely bottom out little over an hour later (the 81-minute DVD includes a few encores, notably the Velvet Underground classic "Sweet Jane"). The songs, played by a standard rock band but with subtle touches of horns, strings, and choir (Antony Hegarty of Antony and the Johnsons adds vocals as well), are for the most part strikingly prosaic; Reed has never been much of a singer, and his words are anything but flowery, closer to prose than verse (many lines, like "All of her friends call her Alaska when she takes speed," are more spoken than sung). Schnabel does a superb job matching the downbeat mood, relying primarily on the use of low, filtered lighting and film (in which Caroline is portrayed by Emmanuelle Seigner). Not for everyone, certainly, but Berlin is a work to be admired. --Sam Graham |
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Sold as 36 each. Toss in Creosote remover. For airtight stoves and fireplaces. Toss the entire stick in a wood burning fire. Reduces chimney creosote to harmless ash. Does not replace the need for a professional chimney sweeping, but makes that job easier. Boxed. Manufacturer number: 97S. Buy Hardware Supplies SKU #: 4252466. Country of origin: United States. Distributed by Rutland Products. |
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Sold as 4 each. For household or office use. Rubber front for detail sweeping. Deep blue color. Bulk. Manufacturer's number: G148. Buy Hardware Supplies SKU #: 17544. Country of origin: United States. Distributed by Rubbermaid Cleaning Prod. |
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The long, sweeping features of this impressive iron wall torch can single-handedly enhance the mood of an entryway, hallway or family room. An opal glass bell, measuring 4-1/4-inches by 6-3/4-inches, rests atop this majestic piece. |
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Swaddled in whalebone and wigs, Keira Knightley steps into the restricted world of the Duchess of Devonshire, a royal lady popular with her subjects but stuck in an unhappy marriage. If this situation recalls Princess Diana (a descendent of the Duchess's family), so much the better for the purposes of director Saul Dibb and company; this film is eager to draw parallels with the unfortunate Lady Di, even if she is never directly mentioned. Knightley's unsuspecting girl is married off to the Duke (Ralph Fiennes), a distracted jerk who craves male sons, and obviously has never thought of women as anything other than a means to achieve an heir. When the Duchess launches her procreative career with a couple of daughters, well, the Duke begins to get nervous--and partners outside the marriage become increasingly appealing. The Duchess serves up lavish portions of Brit-movie staples: costumes (which, in Knightley's case, are nothing short of spectacular), landscapes,! and gorgeous music (by Rachel Portman). If it falls short in some vague way, perhaps it's because the film is a mostly one-note affair, meaning exactly what it seems to mean at every moment. Charlotte Rampling appears too briefly as Knightley's mother, and Dominic Cooper and Hayley Atwell (from Brideshead Revisited), rising stars both, contribute attractive lures for the principals. They prove the old movie adage: there's a lot to be said for eye candy. --Robert Horton Stills from The Duchess (Click for larger image)
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Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed. It's a more rural England that we see here, circa 1790 (as opposed to Austen's early 19th century), in which Elizabeth Bennet (Keira Knightley) is one of several sisters primed for marriage, with an anxious mother (Brenda Blethyn) only too desperate to see her daughters paired off with the finest, richest husbands available. Elizabeth is strong-willed and opinionated, but her head (not to mention her pride and prejudice) lead her heart astray when she meets the wealthy Mr. Darcy (Matthew Macfadyen), whose own sense of decency and discretion (not to mention his pride and prejudice) prevent him from expressing his mutual affection. They're clearly meant for each other, and as Knightley's performance lights up the screen (still young enough to be girlishly impertinent, yet wise beyond her 20 years), Austen's timeless romance yields yet another timeless adaptation, easily on par with the beloved BBC miniseries that has been embraced by millions since originally broadcast in 1995. Individual tastes will vary as to which version should be considered "definitive," but with a stellar supporting cast including Judi Dench and Donald Sutherland, this impeccable production achieves its own kind of perfection. --Jeff Shannon |
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A remarkably ambitious and engrossing project, this 1978 television miniseries ran 26-and-a-half hours, cost a then-enormous $25 million, and involved 4 directors, 5 cinematographers, and somewhere in the neighborhood of 100 speaking parts. Based on James Michener's panoramic bestseller about the settling of the American West--as reflected in the history of a fictional town called Centennial, Colorado--the story begins in the late 18th century and ends with a typical 20th century conflict over land usage. Centennial, however, largely concentrates on various memorable frontiersmen, trappers, Indians, ranchers, cowboys, and farmers from long ago. Richard Chamberlain shines as the pioneer Alexander McKeag, Robert Conrad does some of his best work as French-Canadian Pasquinel, and performances by Alex Karras, Chad Everett, Sally Kellerman, Raymond Burr, Richard Crenna, David Janssen, and Dennis Weaver effectively add to a tapestry of adventure, tragedy, violence, and dubious Western progress. Produced at a time when TV networks were in the throes of acknowledging America's history of racial injustice, the program paints a starkly villainous portrait of opportunists exploiting and destroying Indians in the name of manifest destiny. While the project's great length might make one wary of diving in, Centennial is the sort of carefully paced drama that makes one care about the intertwined destinies of unique characters and how they illuminate America's past. --Tom Keogh |
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Sweeper, Dry Sweeping Cloths with Febreze, Citrus & Light |
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CSL, the Chimney Sweeping Log, is the best way to keep your fireplace or wood stove in good condition Do you burn wood? |
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Twin glass ball and sand chrome finish sweeping arm floor lamp. 62 inch sand chrome wire wrapped glass ball table lamp. This lamp has a foot press on, off switch on the base. Lamp shape resembles a person hanging onto a lamp post light and leaning back. A glass globe hangs from the top. The globes are frosted. Modern and fun. |
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Professional "Brite White" fabric mouse pads are among the most versatile and durable, providing brilliant graphic reproduction for spot color or full color imprints. This durable polyester surface is above industry standards and provides a superior product value overall. Designed to reproduce vibrant detailed images. Our mouse pads have white fabric top with the 100% genuine black rubber base (not the cheap foam your seen on other advertisements). |
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Professional "Brite White" fabric mouse pads are among the most versatile and durable, providing brilliant graphic reproduction for spot color or full color imprints. This durable polyester surface is above industry standards and provides a superior product value overall. Designed to reproduce vibrant detailed images. Our mouse pads have white fabric top with the 100% genuine black rubber base (not the cheap foam your seen on other advertisements). |
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Sweeper, Dry Sweeping Cloths |
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Sweeper, Dry Sweeping Cloths, X-Large |
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Simple and sweet, this batik Babydoll top is made of soft chiffon batik materials.The strap at the shoulder has two adjustable bands that you can pull up to the top to widen the strap in both front and back; or, pull one down to the front and one down to the back of another look. ( Model has both at the top of the shoulder ) You can either tie the center front into a bow, or let it hang. Notice the nice sweeping hemline babydolls are known for.Fabric & Care: 100% Rayon Batik. No Bleach. Wash in cool water. |
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Gildan - Crewneck SweatshirtA value fleece, made from Air Jet Spun Yarn, offers a soft feel and no pill, wash after wash. 7.75-ounce, 50/50 cotton/poly; double needle throughout, banded bottom, 1 x 1 athletic rib with Lycra, set-in sleeves. The "SHOPZEUS.COM" label is just a watermark in the picture. |
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100% Polyester* 5-panel cap * Seamless Front Panel with Buckram Flap * 4 Embroidered Eyelets Matching Visor Color * Pro Stitch on Crown * 8 Rows Stitching on Visor * Matching Fabric Undervisor * Matching Color Sweatband * Matching Fabric Adjustable Hook and Loop |
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3 years & up. Clean up is child's play! Upright vacuum adjusts to different angles for sweeping. Includes a removable hand vacuum that makes real sounds and has a removable dust catcher. |
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Artist:Annelein Beukenkamp-Winant. Puzzle Size: 13 in. x 19 in. Piece Count: 500 |
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Annelein Beukenkamp-Winant 500 Piece Jigsaw Puzzle~Sweeping Blooms! |
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Tough times are ahead and Talbott argues that the coming recession will be on a global scale, affecting economies across the world. We have had no real growth in GDP for the last ten years if purchases with government and personal debt are excluded. In effect, government borrowing and spending on the war and healthcare and Social Security and corporate give-aways combined with dramatic increases in personal spending funded by credit card and mortgage debt have funded unsustainable levels of personal and government consumption. The world's banks are threatened with insolvency due to bad mortgage loans and will not be making new loans for any purposes for a very long time. Consumption, by definition, has to decline. Our financial markets worldwide are in chaos with the inability of any financial house or big hedge fund going bankrupt without pulling down the whole $400 trillion derivatives market and the global financial markets at the same time. With this as a backdrop, Talbott offers practical suggestions as to how homeowners and investors can best weather the coming storm with specific advice on where to invest by type of investment and geographic location. Stocks, bonds, TIPS, commodities, real estate, housing and currencies will all be examined. |
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A richly illustrated testament to the reemergence of the Goddess in the art and in the lives of contemporary women and men. In this beautifully illustrated and far-reaching history. Elinor Gadon vividly weaves words and images to demonstrate the powerful connections between ancient and contemporary art, between the Goddess of the Ice Age and the Goddess of today. This panoramic view of Goddess imagery extends from the prehistoric Goddess representations of Catal Huyuk, Malta, Avebury, and Crete, tot he more patriarchal images of the Sumerians, Greeks, and Christians, to the wide range of contemporary artists inspired by the Goddess, including Frida Kahlo, Mayumi Oda, and Judy Chicago. |
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