Tue, 2 December 2008 Post By Online Shopping Store
Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes. |
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Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes. |
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Johnny Depp and director Gore Verbinski hatched the idea for Rogue's Gallery while filming "Pirates of the Caribbean: Dead Man's Chest"--that idea being to cast genteel rock superstars like Bono, Lou Reed, Bryan Ferry, Andre Corr, and Sting to reinterpret gritty seafaring standards for an exhaustive 43-track double-disc set produced by Hal Wilner. Throw in a bunch of credible folk stars (Loudon Wainwright III, Richard Thompson), their offspring (Rufus, Teddy) and a string of other curious characters (Jarvis Cocker, Antony) and what results is one of the strangest compilations in recent memory, if not exactly the most historically authentic or, well, digestible. Nick Cave embraces the role just a little too hard on "Fire Down Below," while Ferry can't help but sound like he's singing for the cast of "The Love Boat," but cut through the chaff and there is some real bootie here: Bono's "Dying Sailor to His Shipmates," Jolie Holland's "The Grey Funnel Line" and "Boney" by a mysterious tramp called Jack Sh**, which must be some kind of anagram for Johnny Depp. --Aidin Vaziri |
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''I like this band!!" says Paul McCartney, and if an endorsement from a knighted Beatle isn't enough, we think one listen to Revive, the Elektra debut album from Steadman, will earn your similarly enthusiastic affection. This quintet from Hastings, England started out making their demos in a pig shed with equipment borrowed from the Bay City Rollers, and ended up with The Sun's ''Album Of The Week'' two weeks in a row. 12 tracks. Elektra 2003.Tags : Revive
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A tale about a fatherless boy finding dramatically different father figures throughout a remarkable adventure, Treasure Island is an entertaining coming-of-age story, with themes of family, loyalty, friendship, trust, and honesty at its core. While Robert Louis Stevenson's classic adventure tale is popular film fare, it's never been done this well. Charlton Heston stars as Long John Silver and Christian Bale as plucky Jim Hawkins in this TNT production. Directed by Heston's son Fraser (who also directed the excellent family fare Alaska), the film remains faithful to the novel, and draws much of the spirit and excitement of the book. The action scenes are first-rate, and if the ship Hispaniola has never looked better or more authentic, no surprise: the ship is the original from 1962's Mutiny on the Bounty. The opening scenes are dark and rich, as they capture the period well, with careful attention to makeup (the teeth, the body grime!) and costuming. Oliver Reed and Christopher Lee are frighteningly effective as Capt. Billy Bones and Blind Pew, and the film's first half-hour is theirs. The tone shifts and lightens when Heston appears as the legendary pirate. Look for Pete Postlethwaite, Julian Glover, and Richard Johnson in wonderful supporting roles. The film marks Bale's segue from poignantly promising child actor (Empire of the Sun) to compelling teen (he would later continue to prove his talent as a versatile young actor in Little Women and Velvet Goldmine). --N.F. Mendoza |
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Jane Austen's classic novel of 1813, Pride and Prejudice, still wins the hearts of countless schoolgirls with its romantic story of Elizabeth Bennet and her Mr. Darcy. Now, the 1996 BBC miniseries is winning over adults, with its faithful adaptation, gorgeous scenery, and superb acting. The essence of the story is the antagonism between Mr. Darcy, a wealthy single man who believes Elizabeth to be beneath him, and Elizabeth, who upon being insulted at a dance by the aloof Darcy refuses to associate with him in any manner. Austen evokes incredible tension with the wit and flirtation of the two characters, and director Simon Langton (who also directed Upstairs Downstairs) successfully translates the repartee and conflict in this six-hour miniseries. Dialogue, for the most part, is painstakingly replicated, except when fleshing out and smoothing for modern sensibilities was necessary. Darcy, for instance, is drawn out, giving his personality significantly more depth. The acting sweeps you away to Regency England: Jennifer Ehle (of Wilde) is convincing as the obstinate Elizabeth, who, despite her mother's attempts to marry her off, spurs the attentions of Darcy. And Colin Firth (of The English Patient) will have women everywhere longing for a Mr. Darcy of their own.For those who enjoy excellent Austen adaptations such as Sense and Sensibility and Persuasion--this miniseries will round out the ultimate Austen library. For those new to these romantic period pieces, this version of Pride and Prejudice will have you hooked and longing for more. One caveat, however: plan to watch it in an entire day, because very few have the self-control to not watch all six hours in a single sitting. --Jenny Brown On the DVD The special features also include a walking tour of the shooting locations with Lukis and Briers and an A&E Biography episode on Jane Austen that focuses largely on the onslaught of mid-1990s film adaptations of her novels. If it's your first time purchasing Pride & Prejudice, this collector's edition is a nice one to own. But if you already own the movie, you're not missing out on anything here. --Ellen A. Kim
Beyond Pride and Prejudice
Stills from Pride and Prejudice (click for larger image)
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A movie about a middle schooler losing his lucky medallion and morphing into a leprechaun may be no match for Britney and the boys in the tween turn-on arena, but Luck of the Irish is not without its charms. Ryan Merriman plays Kyle Johnson, basketball whiz and all-around It boy, who's flummoxed by school Heritage Day--as far as he knows, he's from Cleveland. A little rooting around reveals not just Irish but leprechaun roots, and then things really get freaky--Kyle's ears go Vulcan and the slam-dunker's suddenly a shrinky-dink. Juicing up the high jinks here are a must-win basketball game and the devotion of a do-gooder gal pal. Luck, produced by the Disney Channel, not only has bright young actors on its side, it's also studded with moments of goofball funniness. Present it as the pot of gold at the end of a dreary school day, then dust it off again for St. Patty's. --Tammy La Gorce |
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Dr. Thompson made the list of inspirational scribes when I polled in a recent writing workshop, and why not? Back in a spiffy Modern Library edition, replete with additional essays, I find in this iconographic work that HST both invoked--and provoked--an era that was not so much the '60s proper, but rather the mean, shadow-filled death of that time, which is still playing out. Thank God Thompson was there to explode the myth of "objective" journalism and help pave the way for the pens and voices that followed. |
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Hunter S. Thompson, in his drunken, rambling introduction to this volume of paintings and illustrations, calls Ralph Steadman "the Albert Gore of twentieth century art." It's hard to imagine a less apt appellation: Steadman's drawings and paintings are the wild antithesis of the notoriously stiff V.P. His pop art is also the opposite of Warhol's clean lines and soulless imagery; it screams with pain and nightmare power. While Steadman is best known for his illustrations to Thompson's Fear and Loathing in Las Vegas and other works, here his art is given free rein, and works with titles like "Earliest man, full of the sense of his own worth, screaming into the blackness, needing no god but himself..." and "Good time crucifix" combine Steadman's trademark splattered ink and unfolded figures with collage and sloppy airbrush. Although the text may offend those with no sense of irony (Thompson compares Steadman to artist manqué Adolf Hitler; Steadman relates the story of his first bowel movement), the hyperactive visuals are sure to delight even those who've never snorted ether while tripping on pure human adrenochrome. --James DiGiovanna |
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