- Company: Vandor Imports
- Amazon Price: $79.99
- Company: Desperate Enterprises
- Amazon Price: $9.99
- Company: Film Score Monthly
- List Price: $19.98
- Amazon Price: $16.98
- Used Price: $19.99
- Company: Soundtrack Factory
- List Price: $14.98
- Amazon Price: $5.74
- Company: Film Score Monthly
- List Price: $19.98
- Amazon Price: $19.95
- Used Price: $17.99
- Company: Ace Paint Division
- List Price: $19.79
- Amazon Price: $13.07
- Company: Warner Home Video
- List Price: $79.98
- Amazon Price: $48.98
- Used Price: $55.06
- Company: Turner Home Ent
- ISBN: 0780647297
- List Price: $14.98
- Amazon Price: $9.99
- Used Price: $9.35
- Company: Warner Home Video
- List Price: $10.99
- Amazon Price: $4.85
- Used Price: $4.29
- Company: Paris
- List Price: $8.99
- Amazon Price: $11.99
- List Price: $40.00
- Amazon Price: $24.95
- Company: Fisher Price
- List Price: $11.99
- Amazon Price: $18.85
- Company: Papo
- List Price: $64.99
- Amazon Price: $50.63
- Company: Universal Export
- Amazon Price: $3.50
- List Price: $40.00
- Amazon Price: $24.95
- Company: Warner Home Video
- ISBN: 0790745305
- List Price: $29.98
- Amazon Price: $19.95
- Used Price: $12.40
- Used Price: $1.97
- Company: Grosset & Dunlap
- ISBN: 0448095378
- List Price: $6.99
- Amazon Price: $2.99
- Used Price: $0.01
- Company: I. B. Tauris
- ISBN: 1845115716
- List Price: $19.95
- Amazon Price: $13.94
- Used Price: $13.84
- Company: Word Dancer Press
- ISBN: 1884995241
- List Price: $15.95
- Amazon Price: $7.35
- Used Price: $1.59
- Company: Desperate
- Amazon Price: $11.95
- Company: FramingMOVIES.com
The John Wayne Stagecoach Cookie Jar. This wonderful cookie jar is made of ceramics and measures approximately 12 inches long, 8 inches tall, and 7 inches wide. Includes a small description of the award winning movie, "Stagecoach", on the back! Officially licensed item. A great gift idea! |
This nostalgic reproduction John Wayne tin sign, suitable for framing, is the perfect affordable retro decoration for any room, restaurant or office. |
 |
Great songs from legendary cowboy films. |
|
Sold as 3 each. 4.75 oz. sample. Covers an area approximately 4 x 4 sq. ft. Made with Ace Royal Touch Interior Satin Wall and Trim product. Includes a peel off color sample sticker on the bottom of each jar. Stagecoach. Manufacturer's number: POD 014-4. Buy Hardware Supplies SKU #: 1984707. Country of origin: United States. Distributed by Ace Paint Division. |
There may be no better representation of America's love of the old West than the 10-disc John Ford-John Wayne Collection. The iconic star and iconic director collaborated on 14 films, eight of which appear here. Four--Fort Apache (1948), The Long Voyage Home (1940), The Wings of Eagles (1957), and 3 Godfathers (1948)--are appearing for the first time on DVD, and the two most famous, Stagecoach (1939) and The Searchers (1956), are represented in brand-new two-disc editions that add new and old featurettes as well as the outstanding American Masters documentary John Ford/John Wayne: The Filmmaker and the Legend. (This Ultimate Edition of The Searchers adds a variety of printed materials as well, such as reproductions of press materials and a 1956 comic book.) Two other landmark films previously available on DVD, They Were Expendable (1945) and She Wore a Yellow Ribbon (1949), round out the set. The three non-Westerns in the set have military settings, with They Were Expendable arguably the greatest World War II picture ever. The Movies: The landmark Western Stagecoach began the legendary relationship between Ford and Wayne, and became the standard for all subsequent Westerns. It solidified Ford as a major director and established Wayne as a charismatic screen presence. Seen today, Stagecoach still impresses as the first mature instance of a Western that is both mythic and poetic. The story about a cross-section of troubled passengers unraveling under the strain of Indian attack contains all of Ford's incomparable storytelling trademarks--particularly swift action and social introspection--underscored by the painterly landscape of Monument Valley. And what an ensemble of actors: Thomas Mitchell (who won a Best Supporting Actor Oscar as the drunken doctor), Claire Trevor, Donald Meek, Andy Devine, and the magical John Carradine. Fort Apache stars Wayne as a Cavalry officer used to doing things a certain way out West at Fort Apache. Along comes a rigid, new commanding officer (Henry Fonda) who insists that everything on his watch be done by the book, including dealings with local Indians. The results are mixed: greater discipline at the fort, but increased hostilities with the natives. Ford deliberately leaves judgments about the wisdom of these changes ambiguous, but he also allows plenty of room for the fullness of life among the soldiers and their families to blossom. Fonda, in an unusual role for him, is stern and formal as the new man in charge; Wayne is heroic as the rebellious second; Victor McLaglen provides comic relief; and Ward Bond is a paragon of sturdy and sentimental masculinity. All of this is set against the magnificent, poetic topography of Monument Valley. This is easily one of the greatest of American films. She Wore a Yellow Ribbon, the second installment of Ford's famous cavalry trilogy (which also includes Fort Apache and Rio Grande), continues the director's fascination with history's obliteration of the past. It features one of John Wayne's more sensitive performances as Capt. Nathan Brittles, a stern yet sentimental war horse who has difficulty preparing for his impending military retirement. It's a film about honor and duty as well as loneliness and mortality. And Oscar-winner Winton C. Hoch beautifully photographs it in Remington-like Technicolor tones. The combination of melancholy and farce (Victor McLaglen makes a perfect court jester) evokes comparisons to Shakespeare. Best of all, the scene in which Wayne fights back tears when receiving a gold watch from his troops is unforgettably bittersweet. If you view the whole trilogy, it actually makes sense to save this for last. It's hardly shameful that Three Godfathers ranks as the slightest John Ford Western in a five-year arc that includes My Darling Clementine, Fort Apache, She Wore a Yellow Ribbon, Wagon Master, and Rio Grande. The story had already been filmed at least five times--once by Ford himself. Just before Christmas, three workaday outlaws (John Wayne, Pedro Armendáriz, Harry Carey Jr.) rob a bank and flee into the desert. The canny town marshal (Ward Bond) moves swiftly to cut them off from the wells along their escape route, so they make for another, deep in the wasteland. There's no water waiting for them, but there is a woman (Mildred Natwick) on the verge of death--and also of giving birth. The three badmen accept her dying commission as godfathers to the newborn. Motley variants of the Three Wise Men, they strike out for the town of New Jerusalem with her Bible as roadmap. Ford's is the softest retelling of the tale, but it's all played with great gusto and tenderness--especially by Wayne, who's rarely been more appealing. Visually the film is one knockout shot after another. This was Ford's first Western in Technicolor, as well as his first collaboration with cinematographer Winton Hoch. What they do with sand ripples and shadows and long plumes of train smoke is rapturously beautiful. It's also often too arty by half, but who can blame them? Eugene O'Neill loved The Long Voyage Home, the feature-length adaptation of his one-act sea plays, with intelligent bridging material written by Dudley Nichols and a final movement, both hellish and elegiac, appropriate to the onset of World War II. John Ford directed, in his more self-consciously arty vein but with no loss of power or passion. The focus is on the working seamen aboard a merchant ship making its way from the Caribbean to New York harbor and then England, with dangerous cargo on the transatlantic leg. Thomas Mitchell (who had won a 1939 Oscar in Ford's Stagecoach) gives a career-best performance as Driscoll; Ian Hunter plays the enigmatic shipmate known only as "Smitty"; Ford regulars Barry Fitzgerald, John Qualen, Ward Bond, Arthur Shields, and Joseph Sawyer fill key roles; and the top-billed John Wayne contributes a surprisingly effective supporting performance as Ole, a gentle Swedish giant who really belongs on a farm somewhere. Although neglected in recent years, this movie has a permanent place of honor in one of the most amazing three-year creative streaks any director ever had. John Ford had a big emotional investment in The Wings of Eagles, and his favorite star John Wayne rewarded the director with one of his strongest performances. The subject is Frank "Spig" Wead, Naval aviation legend turned Hollywood screenwriter, who had written Ford's very good 1932 movie Air Mail and his magnificent WWII elegy They Were Expendable (1945). Ford was fond of exploring the theme of "victory in defeat." Wead's life was made to order for that. The hell-raising flyboy shenanigans, and his flailing marriage to a scrappy Irish redhead (The Quiet Man's Maureen O'Hara reporting for duty), were abruptly curtailed by a fall that left him with severe spinal damage. He should never have been able to walk again, but he fought his way back to limited mobility and built a new career as a writer. And when WWII broke out, Wead made a key contribution to the Pacific air war. It would be satisfying to report that The Wings of Eagles is a triumph--that the broad comedy of the early reels cuts brilliantly against the raw pain of the Weads' marriage, the grief of a family broken and mended and broken again, the film's specters of death and deep frustration. There are powerful moments, but the low comedy is very low, the visual style sometimes stark but more often just drab, and the screenplay is very choppy about the passage of time. They Were Expendable is the greatest American film of the Second World War, made by America's greatest director, John Ford, who himself saw action from the Battle of Midway through D-day. Yet it's been oddly neglected. Or perhaps not so oddly: for as the matter-of-fact title implies, the film commemorates a period, from the eve of Pearl Harbor up to the impending fall of Bataan, when the Japanese conquest of the Pacific was in full cry and U.S. forces were fighting a desperate holding action. Although stirring movies had been made about these early days, they were gung ho in their resolve to see the tables turned. They Were Expendable, however, which was made when Allied victory was all but assured, is profoundly elegiac, with the patient grandeur of a tragic poem. "They" are the officers and men of the Navy's PT boat service, an experimental motor-torpedo force relegated to courier duty on Manila Bay but eventually proven effective in combat. Their commander is played by Robert Montgomery, who actually served on a PT and later commanded a destroyer at Normandy (he also codirected the breathtaking second-unit action sequences). John Wayne's costarring role as Montgomery's volatile second-in-command initially looks stereotypically blustery, but as the drama unfolds, Wayne sounds notes of tenderness and vulnerability that will take Duke-bashers by surprise. They Were Expendable is a heartbreakingly beautiful film, full of astonishing images of warfare, grief, courage, and dignity. This is a masterpiece. |
A cattle ranch gunman battles a gang of rustlers. Studio: Turner Hm Entertainm Release Date: 05/17/2005 Starring: Sam Elliot Katherine Ross Run time: 117 minutes Rating: Nr |
This landmark 1939 Western began the legendary relationship between John Ford and John Wayne, and became the standard for all subsequent Westerns. It solidified Ford as a major director and established Wayne as a charismatic screen presence. Seen today, Stagecoach still impresses as the first mature instance of a Western that is both mythic and poetic. The story about a cross-section of troubled passengers unraveling under the strain of Indian attack contains all of Ford's incomparable storytelling trademarks--particularly swift action and social introspection--underscored by the painterly landscape of Monument Valley. And what an ensemble of actors: Thomas Mitchell (who won a Best Supporting Actor Oscar as the drunken doctor), Claire Trevor, Donald Meek, Andy Devine, and the magical John Carradine. Due to the film's striking use of chiaroscuro lighting and low ceilings, Orson Welles watched Stagecoach over and over while preparing for Citizen Kane. --Bill Desowitz |
Molded holster with belt has the look of authentic hand tooling. Die-cast repeater cap pistol. Designed after the original pistols of the respective era. Each gun is coated in a very durable silver paint. The molds used for these guns were designed back in the 1950's and 1960's so you know you are buying a quaility made cap gun. Shoots #912 paper roll caps. |
Text on teeshirt: StagecoachOur standard t-shirts are made of 100% cotton and preshrunk (ultra cotton heavyweight). We typically use Gildan Activewear but at times may substitute with orthe brand name t-shirts. We carry thousands of t-shirts with sayings. To view additional t-shirts please visit our storefront on Amazon (DesignAProduct) and search for t-shirt. |
This finely sculpted and enameled pewter belt buckle contains exceptional 3D detailing. Siskiyou's unique buckle designs often become collector's items and are unequaled with the best in American craftsmanship. |
Imaginext Adventures Battle Coach.
Imagine... ...riding in a Battle Coach? through an unknown forest, where danger lurks at every turn. Suddenly, there's an attack by a band of thieves! The coachman turns to reveal the cannon and boom! You unlock a new adventure every time you play! Look f |
This beautiful Red Western Stagecoach is driven by four running horses. The doors really open, and characters can sit inside. The coachman, included, sits in the driver's seat, and there is a rack on top for luggage. The horses also have saddles, so they can be ridden separately. This is a wonderful addition to a western collection. Ages 3+ |
Adhesive-backed oval vinyl sticker printed in weather resistant black ink. Based on European format. Sticker size is approximately 3 ˝ x 5 and kiss cut on a rectangular carrier. While originally intended for automobile bumpers they can be applied to windows, notebooks, backpacks, or other surfaces. |
This finely sculpted and enameled pewter belt buckle contains exceptional 3D detailing. Siskiyou's unique buckle designs often become collector's items and are unequaled with the best in American craftsmanship. |
Take the high road when it comes to stylish footwear with the Durango DB715. This stylish 7-inch casual boot features an unlined stagecoach leather upper with taped side seams, cushioned insole, strider heel with 3/8" pitch and an oil-resistant polyurethane outsole. |
|
| This landmark 1939 Western began the legendary relationship between John Ford and John Wayne, and became the standard for all subsequent Westerns. It solidified Ford as a major director and established Wayne as a charismatic screen presence. Seen today, Stagecoach still impresses as the first mature instance of a Western that is both mythic and poetic. The story about a cross-section of troubled passengers unraveling under the strain of Indian attack contains all of Ford's incomparable storytelling trademarks--particularly swift action and social introspection--underscored by the painterly landscape of Monument Valley. And what an ensemble of actors: Thomas Mitchell (who won a Best Supporting Actor Oscar as the drunken doctor), Claire Trevor, Donald Meek, Andy Devine, and the magical John Carradine. Due to the film's striking use of chiaroscuro lighting and low ceilings, Orson Welles watched Stagecoach over and over while preparing for Citizen Kane. --Bill Desowitz |
|
The true story of the American West on film, through its shooting stars and the directors who shot them… Howard Hughes explores the Western, running from John Ford’s 'Stagecoach' to the revisionary 'Tombstone'. Writing with panache and fresh insight, he explores 27 key films, and draws on production notes, cast and crew biographies, and the films’ box-office success, to reveal their place in western history. He shows how through reinvention and resurrection, this genre continually postpones the big adios and avoids ending up in Boot Hill…permanently. Major films covered include the best from genre giants John Ford, Howard Hawks and John Wayne, plus classics 'High Noon', 'Shane', 'The Magnificent Seven' and 'Butch Cassidy and the Sundance Kid'. 'Stagecoach to Tombstone' makes many more stops along the way, examining well-known blockbusters and lowly B-movie oaters alike. It examines comedy westerns, adventures ‘south of the border’, singing cowboys and the varied depiction of Native Americans on screen. Hughes also engagingly charts the genre’s timely renovation by Sam Peckinpah ('Ride the High Country' and 'The Wild Bunch' ), Sergio Leone ('Once Upon a Time in the West') and Clint Eastwood ('The Outlaw Josey Wales' and 'Unforgiven'). Presented too are the best of western trivia, a filmography of essential films - and ten aficionados and critics, including Alex Cox, Christopher Frayling, Philip French and Ed Buscombe, give their verdict on the best in the west. |
Punctuated by gunshots and posse hoofbeats, these true tales, many told for the first time, illustrate, in both words and rare photographs, perilous trails and dangerous men from a time gone forever. • While Tommy Brown and Buck English were born to raise hell, stagecoach robber Shorty Harris just wanted to buy a restaurant with his loot.• Although he didn’t plan on killing lawmen when he helped rob stages to aid the Confederacy, in the end, ex-Monterey County Undersheriff Tom Poole took the long walk up the Placerville scaffold for murdering Deputy Joseph Staples. The local newspaper reported, “He smiled on all and seemed perfectly resigned.”• Black Bart, the most famous stagecoach robber ever, robbed twenty-eight stages in eight years. Between robberies, he led the life of a society gentleman in San Francisco. The Sotello brothers, John Keener, Bill Miner, Louis J. Dreibelbis, Ramon Ruiz, and all the others were fascinating characters—a desperate breed who added their stories to the legends of the Old West. |
Great officially licensed metal tin sign. The beautiful finish is actually silkscreened on solid metal. They include a hole at each corner for hanging. Makes a great gift! Interesting home d?cor. Measures approximately 13" X 16" |
Brand New Officially Licensed Sports Photo - Guaranteed to Arrive Safe - Size: 11 x 17 inches - Great for Autographs |
