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- Peak: 9 feet, 9 inches
- Base: 12 feet
- Vertical Clearance: 7 feet, 1 inch
- Weight: 46 pounds
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- Includes a wheeled carry bag
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* Handcrafted of natural cedar * Bats use their sonar to catch over 3,000 insects each night * Provides capacity for up to 20 bats |
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29" x 37" x 31", Large, Deluxe Dog House For Dogs Up To 100 LB, Easy Snap Together Assembly, Durable Resin Construction, Vents Provide Air Circulation, Removable Roof For Easy Cleaning, Crowned Floor With Channel Around Inside Edge To Capture Fluids & Keep Pet Dry, Can Be Staked To Ground, Vinyl Doors Included & You Can Personalize House With Your Dogs Name Letters Included |
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Protect yourself and your family from harmful rays. Monitors the current UV index and temperature, and calculates your recommended exposure time based on UV, SPF and your personal skin type. Dimensions: 3.125" x 1.75" x .75" |
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To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force.By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence. Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland |
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To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force.By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence. Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland |
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Includes four episodes: "Mr. Denton on Doomsday" (1959), "The Shelter" (1961), "The Lateness of the Hour" (1960), and "The Trouble with Templeton" (1960). Collector's edition box includes write-ups on each episode. |
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The Emergency Tent is a lightweight and compact emergency shelter. It is wind and waterproof and easy to set up. It is 8 feet long and roomy enough for two people. |
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Ideal for backyard barbecues, picnics in the park, tailgating events, and a slew of other outdoor activities, the Quik Shade Weekender 81 canopy features a fully-assembled powder-coated frame for easy setup and a polyester top and aluminum backing with 100% UV protection. The frame offers multiple height adjustments and uses smooth ball bearings for quick operation. The canopy includes a wheeled carry bag for easy storage and portability.Features: |
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The feature-film debut from art director Jonah Markowitz (Quinceañera) pivots on the tension between responsibility to family and responsibility to self. Recent high-school graduate Zach (Trevor Wright) has one summer to reconcile the competing halves of his life. The aspiring Picasso lives in blue-collar San Pedro with his irresponsible sister, Jeanne (Tina Holmes, Half Nelson), her five-year-old son, Cody (Jackson Wurth), and their rarely-seen father. Zach gave up his art school dreams to toil in a diner and help look after his much-loved nephew. With his best friend, Gabe (Ross Thomas), away at college, Zach draws, surfs, and skateboards by his lonesome. When Gabe's novelist brother, Shaun (Brad Rowe, Billy's Hollywood Screen Kiss), returns to his Orange County home to recover from a broken heart, he and Zach alternate between riding the waves and encouraging each other to pursue their aspirations. Shaun is gay, while Zach appears to be straight, but a casual kiss between the two soon leads to a secret relationship. Before the former returns to Los Angeles, the latter has to decide who he is--gay, straight, artist, cook, uncle, or father--and what he's going to do about it. Except for the location shooting, this low-budget indie plays like an extended episode of The O.C. what with all the "bro"s and "dude"s and love scenes tame enough for network TV. Nonetheless, Markowitz's heart is in the right place, and Shelter may provide some real-life Zachs with the courage they need to follow their passions. --Kathleen C. Fennessy |
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Coasting on the successes of Gods and Monsters and George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. More of a cute premise with lots of clever ideas attached than a fully fleshed out story, Blast from the Past is also supposed to be part romantic comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotion and curiosity; only Fraser could pull off Adam's first glimpse of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems. --Mark Englehart |
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To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force.By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence. Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland |
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The Embassy II is a straight leg cross-truss unit with white powder-coated aluminum legs and steel trusses, pull pin sliders and a bolt on top attachment. Package includes a roller bag with a sidewall pocket, four zippered roll up sidewalls (one with a zippered doorway), and a 600 denier white top that meets CPAI-84 fire requirements. Instant shelter package also includes a name banner with a clear plastic sleeve above the valance, a two-way awning front awning/Sun Catcher and four stakes. |
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Shelter your iPod shuffle from scratches, drops, and bumps. Pick a color to fit your mood or activity. Mix & match cap colors for a look all your own. SiliSkins are form-fitted and their see-through design allow for easy operation of the iPod shuffle. |
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Marimba Wood Shelter Island™ Television Console Marimba Wood by Stanley. Dimensions: 55 1/8"W x 28"H x 23 15/16"D. TV Opening: 42"-50". Weight: 235 lbs. |
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Katrina Hurricane Shelter Problems Coffee Gift Basket is measuring 9x9x4. Contains 15oz mug, BONUS free set of 4 coasters, biscotti and 5 blends of gourmet coffee. French Vanilla, Kenya AA, Decaf Colombian Supremo, Chocolate and Italian Roast Espresso elegantly presented in our signature black planet coffee gift box. A very nice and thoughtful gift for any occasion. |
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Sacred marks John McDermott's first recording with the Irish Tenors since rejoining fellow original member Anthony Kearns and Finbar Wright (who actually replaced McDermott in 2000). The Irish Tenors live up to their reputation as "gifted interpreters" with this collection, covering a wide range of spiritual material. Sacred was produced by the Irish Tenors' long-time musical director, Arnie Roth, who has also worked with Charlotte Church, Diana Ross, and Art Garfunkel. The album was produced in Prague at the Rudlofinum and ICN Studios.
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Bar none this is the best plastic polish on the market. Whether its your turn signal lenses center caps brake lights convertible top window or the clear plastic gauge cluster cover Mothers Plastic Polish will clean shine and protect the clear stuff with crystal clarity. This is a true polish-you can buff out hairline scratches smudges flaws and little nicks as well as clean away yellowing and stains from your plastic convertible window. Mothers Plastic Polish doesnt stop there-it protects your plastics from the sun smog water stains and airborne contaminants with a tough layer of polymers. |
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Constructed of sturdy polyester with a PU coating underneath to keep your UTV clean, safe and dry. Double top stitched with heavy duty nylon thread. Elastic hem with 8 reinforced grommets for a clean, secure fit and can be locked. This cover will fit Polaris 2008 Ranger Crew, Kawasaki 2008 Mule 3010 Trans 4x4 diesel, Polaris Ranger XP. This cover will also fit above models with roof lights, front winches and oversized tires.
Dimension: 150"L x 62"W x 75"H |
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Restore your paints sharpest glow. Our professional-grade Sealer and Glaze is designed to polish and hide imperfections like spiderwebbing swirl marks and minor scratches. This formula is flexible enough to work when applied by orbital buffer or by hand and refined enough not to streak smear or leave fingerprints. Weve engineered our Sealer and Glaze to allow it to be used over prior coats of wax. Its especially effective on dark colors reanimating the depth and vibrance to better than new. |
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Katrina Hurricane Shelter Problems Mouse Pad is measuring 8w x 8h x .25d, soft commercial quality high resolution product. The image is permanent and becomes part of the mouse pad surface. Our transfer method produces professional matte finish with Premium Quality and Superior image resolution. |
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The freestanding Eureka External Screenhouse is great for family picnics or outdoor parties. A exce;;emt choice for a respite from bugs at a backyard barbecues or as an extra lounge space on car camping or RV trips, the Screen House provides a 128 square foot area--just right to fit a standard-sized picnic table--and a roomy 7 foot, 3 inch center height. The 75D polyester roof cloth provides excellent UV resistance, and it dries as quickly as nylon. It features a strong, self-supporting external 3/4-inch, chain-corded steel frame with a ring-and-pin assembly. It also offers storm loops for added stability in the wind. Other features include two full-length doors and 50D no-see-um mesh walls to keep out pesky insects. |
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Professional "Brite White" fabric mouse pads are among the most versatile and durable, providing brilliant graphic reproduction for spot color or full color imprints. This durable polyester surface is above industry standards and provides a superior product value overall. Designed to reproduce vibrant detailed images. Our mouse pads have white fabric top with the 100% genuine black rubber base (not the cheap foam your seen on other advertisements). |
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What a brilliant idea. These convert from a mitten to a fingerless glove in seconds. The Storm Shelter® exterior provides warmth, protection. Rib knit cuffs keep out wind and snow while the brushed tricot interior feels plush. |
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The magic behind the The Shelter Cove Pants lies in it's construction, and Columbia has done it again providing you with a feature packed, affordable outdoor clothing shelter. |
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Darkness is no match for this water- and wind-resistant jacket. Armed with 360 degrees of reflectivity, the updated NightLife jacket features zippered Napoleon pocket, two secure zippered side pockets, and a vented back for maximum breathability. |
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When Bob Anderson first published Stretching in 1980, the fitness movement was new to most Americans. The term aerobics had just been coined in 1968, and few people outside bodybuilding circles had heard of Arnold Schwarzenegger yet.Now, fitness is such old hat that it's even had a backlash or two. Lots of the original ideas have been called into question, including the preeminence of aerobic exercise. But flexibility is bigger than ever; Pilates and yoga are two of the fastest-growing fitness programs in the U.S. in the early 2000s. The type of stretching Anderson recommends--called "static," meaning you sit in one place and hold the stretch for a specified amount of time--isn't exactly trendy, but it remains the most accessible way for entry-level exercisers to improve their flexibility. (Or, perhaps more important, to keep from losing whatever flexibility they have as they get older.) Those who already have the version of the book that's been put out by Shelter Publications since 1980 won't find a whole lot that's new in this 20th-anniversary version. Some of the simple drawings by Anderson's wife, Jean, have been updated to show athletes in sport-specific outfits doing stretching routines, and there are more routines than before. The new edition includes routines for children, stretches to do in front of the TV, and some exercises to do before and after gardening. Plus, the old staples remain--stretching routines for all muscle groups, and pre- and postplay sequences for common sports (football, baseball, basketball) and a few uncommon ones (equestrian, motocross, rodeo). He's also created routines for sports that barely existed in 1980, such as snowboarding, triathloning, and inline skating. The constant in Stretching is ease of use. Anderson doesn't need a lot of complex explanations because the drawings are so easy to follow. He makes it clear that stretching should make you feel better, not worse, and that it's not a competition. Any little bit you can do is better than not doing anything. That's a timeless message, which is why his book has been such an valuable reference for the past 20 years. --Lou Schuler |
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John "Preacher" Middleton is about to close the bar when a young woman and her three-year-old son come in out of the wet October night. A marine who has seen his share of pain, Preacher knows a crisis when he sees one—the woman is covered in bruises. He wants to protect them, and he wants to punish whoever did this to her, but he knows immediately that this inclination to protect is something much more. Paige Lassiter has stirred up emotions in this gentle giant of a man-emotions that he has never allowed himself to feel. But when Paige's ex-husband turns up in Virgin River, Preacher knows his own future hangs in the balance. And if there's one thing the marines' motto of Semper Fidelis—always faithful—has taught him, it's that some things are worth fighting for. |
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A story of seeking-and finding-God's will in unlikely places. Gabrielle Fairbanks has nearly lost touch with the carefree, spirited young woman she was when she married her husband fifteen years ago. But when the couple moves to Chicago to accommodate Philip's business ambitions, Gabby finds the chance to make herself useful. It's there she meets the women of Manna House Women's Shelter; they need a Program Director-and she has a degree in social work. She's in her element, feeling God's call on her life at last, even though Philip doesn't like the changes he sees in her. But things get rough when Philip gives Gabby an ultimatum: quit her job at the shelter or risk divorce and losing custody of their sons. Gabby must take refuge, as in the song they sing at Sunday night worship: "Where do I go when there's no one else to turn to? . . . I go to the Rock I know that's able, I go to the Rock." |
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