Tue, 2 December 2008 Post By Online Shopping Store
We bring you the best selection of Movie Posters, Music Posters, Sports Posters, Art Prints, Television Posters, College Humor, and more! This is the premier destination for finding entertainment posters. Find authentic movie advertisements, increase your celebrity photo and poster collection, locate that missing pop idol piece you need to complete your set, or discover rare concert sheets from your favorites musicians and bands. Whether its that one rare framed art print youve been looking for, or you need to wallpaper your dorm room with the hottest, sexiest posters, this is the place to find everything. Brand new, perfect condition, fast shipping! Buy from the best!!! |
This recording captures the 1985 London cast that transformed an obscure French musical based on Victor Hugo's gargantuan novel of pre-Revolutionary France into a worldwide phenomenon throughout the late-'80s and '90s and became one of the best examples of the era's trend of blockbuster musical spectacles. Yes, Alain Boublil and Claude-Michel Schoenberg's score tends to recycle its themes, but the beautiful melodies and stirring anthems rarely fail to captivate and touch its audience. Colm Wilkinson is the heroic Valjean, Patti LuPone is the tragic Fantine, Michael Ball is the love-struck Marius, and Frances Ruffelle is the despondent Eponine, with Roger Allam (Javert), Alun Armstrong and Sue Jane Tanner (the Thénardiers), Rebecca Caine (older Cosette), and David Burt (Enjolras) filling out the excellent cast. Fans will want to take note that this recording includes some material that was revised when the show crossed the pond to Broadway--"Little People" was lost altogether, while the "Love Montage" was significantly rewritten. Les Misérables sounds especially vivid in its 1998 remastering, and a synopsis and full lyrics are included. --David Horiuchi |
Breathtaking and practically nondiscursive, Sally Potter's audacious Orlando overcomes some dodgy performances and a narrative structure that could most generously be described as "loose" to emerge as a haunting, discussion-provoking trans-historical and transsexual drama. Commanded never to age by Queen Elizabeth (played with surprisingly little camp by legendary cross-dresser Quentin Crisp), the title character becomes immortal; we then follow Orlando through 400 years of dreamlike British history. Midway through the film, Orlando changes genders--to Potter's immense credit, the transformation is handled with little fanfare and no explanation. Tilda Swinton, in the lead role, is far more convincing as a woman than as a man, and even during the film's latter half, her impassivity and lack of expression can be annoying. Potter encourages Swinton to play to the camera, and the resulting asides and glances askance can be amusing, but often seem purposeless, or even arch. Nevertheless, the willful idiosyncrasy and understatement of the film never quite capsize the project, and once you give yourself over to the filmmaker's logic, the panoramic sweep of the cinematography (remarkable sets include an aristocratic skating party on the frozen Thames during the Great London Frost of 1603, a stunning tent-caravan in Central Asia, and countless fastidious boudoirs and interiors) will surely keep you enraptured. Orlando is no Merchant-Ivory production, no prissy, forgettable period piece; this film has teeth, and it may bite ferociously when you least expect it to. Based on, but scarcely resembling, the Virginia Woolf modernist classic of the same name. --Miles BethanyTags : Orlando
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Kill Bill: Volume 1 Quentin Tarantino's Kill Bill, Vol. 1, is trash for connoisseurs. From his opening gambit (including a "Shaw-Scope" logo and gaudy '70s-vintage "Our Feature Presentation" title card) to his cliffhanger finale (a teasing lead-in to 2004's Vol. 2), Tarantino pays loving tribute to grindhouse cinema, specifically the Hong Kong action flicks and spaghetti Westerns that fill his fervent brain--and this frequently breathtaking movie--with enough cinematic references and cleverly pilfered soundtrack cues to send cinephiles running for their reference books. Everything old is new again in Tarantino's humor-laced vision: he steals from the best while injecting his own oft-copied, never-duplicated style into what is, quite simply, a revenge flick, beginning with the near-murder of the Bride (Uma Thurman), pregnant on her wedding day and left for dead by the Deadly Viper Assassination Squad (or DiVAS)--including Lucy Liu and the unseen David Carradine (as Bill)--who become targets for the Bride's lethal vengeance. Culminating in an ultraviolent, ultra-stylized tour-de-force showdown, Tarantino's fourth film is either brilliantly (and brutally) innovative or one of the most blatant acts of plagiarism ever conceived. Either way, it's hyperkinetic eye-candy from a passionate film-lover who clearly knows what he's doing. --Jeff Shannon Kill Bill: Volume 2 "The Bride" (Uma Thurman) gets her satisfaction--and so do we--in Quentin Tarantino's "roaring rampage of revenge," Kill Bill: Volume 2. Where Vol. 1 was a hyper-kinetic tribute to the Asian chop-socky grindhouse flicks that have been thoroughly cross-referenced in Tarantino's film-loving brain, Vol. 2--not a sequel, but Part Two of a breathtakingly cinematic epic--is Tarantino's contemporary martial-arts Western, fueled by iconic images, music, and themes lifted from any source that Tarantino holds dear, from the action-packed cheapies of William Witney (one of several filmmakers Tarantino gratefully honors in the closing credits) to the spaghetti epics of Sergio Leone. Tarantino doesn't copy so much as elevate the genres he loves, and the entirety of Kill Bill is clearly the product of a singular artistic vision, even as it careens from one influence to another. Violence erupts with dynamic impact, but unlike Vol. 1, this slower grand finale revels in Tarantino's trademark dialogue and loopy longueurs, reviving the career of David Carradine (who plays Bill for what he is: a snake charmer), and giving Thurman's Bride an outlet for maternal love and well-earned happiness. Has any actress endured so much for the sake of a unique collaboration? As the credits remind us, "The Bride" was jointly created by "Q&U," and she's become an unforgettable heroine in a pair of delirious movie-movies (Vol. 3 awaits, some 15 years hence) that Tarantino fans will study and love for decades to come. --Jeff Shannon |
A deranged stuntman stalks his victims from the safety of his killer car but when he picks on the wrong group of badass babes all bets are off in an adrenaline-pumping high speed white-knuckle automotive duel of epic proportions where anything can happen. Studio: Genius Products Inc Release Date: 09/16/2008 Starring: Kurt Russell Rose Mcgowan Run time: 117 minutes Rating: Nr Director: Quentin Tarantino |
Based on the Quentin Tarantino flick game remains faithful to the original movie with gamers able to play all the key characters including the infamous Mr Blonde. Staying true to the original plot this intense third person shooter follows the progress and planning of the famed diamond heist while filling in some of the cliffhanger questions from the film: What happened to Mr. Blue and Mr. Brown? Where did Mr. Pink hide the diamonds? What actually happened at the heist? These questions and more will be answered as the game unfolds and according to the player s tactics. The game also features the full and original soundtrack from the movie those super sounds of the seventies.Format: XBOX Genre: ACTION/ADVENTURE Rating: RP UPC: 788687200301 Manufacturer No: 20030 |
Are you bad enough? Not everyone's a bad enough mother f***er to justify having this wallet. But you can always fake it! With room for all your cards, cash, photos, and other things, this is great item that guarantees people will know a lot about you, without you having to say a word. Don't miss this fun (and useful) prop replica from the movie Pulp Fiction! It makes a great gift for that guy who has everything! |
At last, the most popular characters on late-night television are being immortalized in plastic, as action figures based on Cartoon Network's uber-popular [adult swim] properties are on their way! Now--in the confines of your own home, you can: ...investigate underwater colonization with the crew from Sealab 2021 and?you know, do stuff.. This 2-Pack comes with loads of sweet accessories! |
Get gorgeous in these gleaming Quentin sandals by Pelle Moda. Soft leather upper in a dress thong sandal style with a round open toe. A rolled leather thong post joins a T-strap vamp with an elasticized side panel and an elaborate polished metal and faceted faux gem embellishment. Soft leather lining and cushioned logo footbed, smooth leather outsole. 2 1/2 inch stacked kitten heel. |
Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator, along with Roald Dahl's other tales for younger readers, make him a true star of children's literature. Dahl seems to know just how far to go with his oddball fantasies; in Charlie and the Chocolate Factory, for example, nasty Violet Beauregarde blows up into a blueberry from sneaking forbidden chewing gum, and bratty Augustus Gloop is carried away on the river of chocolate he wouldn't resist. In fact, all manner of disasters can happen to the most obnoxiously deserving of children because Dahl portrays each incident with such resourcefulness and humor. Charlie and the Chocolate Factory is a singular delight, crammed with mad fantasy, childhood justice and revenge, and as much candy as you can eat. The book is also available in Spanish (Charlie y la Fabrica de Chocolate). (The suggested age range for this book is 9-12, but nobody this reviewer has met can resist it, including New York City bellhops, flight attendants, and grumpy teenagers.) |
This Roald Dahl classic tells the scary, funny and imaginative tale of a seven-year-old boy who has a run-in with some real-life witches! "In fairy tales witches always wear silly black hats and black cloaks and they ride on broomsticks. But this is not a fairy tale. This is about REAL WITCHES. REAL WITCHES dress in ordinary clothes and look very much like ordinary women. They live in ordinary houses and they work in ordinary jobs. That is why they are so hard to catch." Witches, as our hero learns, hate children. With the help of a friend and his somewhat-magical grandmother, our hero tries to expose the witches before they dispose of him. Ages 7-12. |
