Thu, 8 January 2009 Post By Online Shopping Store
A blend of natural citrus and wood oils that safely and effectively cleanse the air of unwanted smells. These 3" pillars burn up to 50 hours. High quality candles made with pure cotton wicks for clean safe burning. Also available in a 2 pack votive. UPC: 034251004623 Front Label Panel: Crystal Candles Lord Byron's Smoker's Candle 1-3"X3" Candle (7.5 Cm X 7.5Cm) Amazing Green Dot Instructions: To Prevent Fire Keep Burning Candle Within Sight. Keep Out Of Reach Of Children And Pets. Never Burn A Candle On Or Near Anything That Can Catch Fire. Remove Wrapper Before Lighting. Always Burn Candle In An Appropriate Holder And On A Temperature Safe Surface. To Extinguish The Candle, Blow Out The Flame. Do Not Snuff. Do Not Pinch Off The Burned Tip Of Wick. To Reduce Sooting Trim Wick To 1/4" Before Each Use. Avoid Using In Drafty Areas. Ingredients: The "Green Dot" Contains A Blend Of Natural Citrus And Wood Oils That Effectively Neutralizes Stale Tobacco Odors. This Safe And Effective Air Freshener Does Not Mask Odors But Leaves Rooms Fresh And Clean. Supplemental Facts: Marbleized Exterior Dead Center Wick Made With A Pure Cotton Wick. Amazing Green Dot Evenly Dispenses Odor Destroying Blend. |
The wait is over. The new album from Guns N' Roses, Chinese Democracy, has arrived. The album, which features 14 brand new songs from Axl and company, has garnered rave reviews and is easily the most anticipated release of the year.
Track listing: 1. Chinese Democracy 2. Shackler's Revenge 3. Better 4. Street Of Dreams 5. If The World 6. There Was A Time 7. Catcher In The Rye 8. Scrapped 9. Riad N' The Bedouins 10. Sorry 11. I.R.S. 12. Madagascar 13. This I Love 14. Prostitute |
The title gives it away instantly- Pretty.Odd. (don't forget the periods) is not exactly the album that affirmed admirers of Panic At The Disco will have expected. The quartet, then teenagers, hit big in 2005 when A Fever You Can't Sweat Out rode its hit single "I Write Sins Not Tragedies" and its striking video to huge sales, defining their niche bridging emo and theatrical art-rock. Three years later Panic (they've ditched the exclamation mark) return with an expansive album that shamelessly, and very skilfully, takes inspiration directly from the Beatles' bigger budget productions and the baroque classic rock that came in their wake. They must use every instrument in the orchestral palette. But this is hardly a trip to "guilty pleasures" territory, four minute pop tunes polished almost to sterility. Even the catchy, imposing opener "We're So Starving", where they protest "we're still the same band", is playful rather than predictable. "That Green Gentleman (Things Have Changed)" offers so many styles it defies categorisation, the darkly comic sixties pastiche "When the Day Met the Night" could wear the vague "sunshine pop" label comfortably and the likes of "Pas De Cheval" and nicely wistful first single "Nine in the Afternoon" stick in the head after a single hearing. Also the token acoustic strumalong is called "Folkin' Around". Whether their fanbase actively craved such a diverse display of ambition is moot, but Pretty.Odd. is an impressive and deservedly popular collection. For once it seems that the public agree with those critics who so often describe lovingly crafted, low-selling tributes to genres past as perfect pop. --Steve Jelbert |
Considered the breakthrough album that delivered a more palatable version of industrial music to the commercial audience, Pretty Hate Machine left its dingy mark on pop culture. The abrasive "sonarchy" of the album was first churned by despondent club-goers who roiled with the rhythms and aligned with the angst-ridden convictions. Since its release, the album's tempered deviations came to signify an aesthetic reverie for machine-driven martyrdom. Permeated by hissing engines and dissonant strains, the tracks cascade outside channels of modern complacency. Hits like "Head Like a Hole" and "Down in It" are recognized by the acidic beats, piercing riffs, and lyrical hostilities which snare the listener with disparaging rhapsody. Not for the light-headed, Pretty Hate Machine afflicts the inner sanctum and strikes a nerve. --Lucas Hilbert |
Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story--and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cynical tale about prostitution called 3000--after the amount of money Richard Gere's character pays the prostitute to stay with him for the week). Gere is the silver-haired Wall Street knight who sweeps streetwalker Roberts into a fantasy world of room service at the Regent Beverly Wilshire Hotel and fashion boutique shopping on Rodeo Drive. The supporting cast is also appealing, including Laura San Giacomo as Roberts's hooker pal, Hector Elizondo as the hotel manager, Jason Alexander, Ralph Bellamy, and Hank Azaria. Now, is this something you want your sons and daughters to see? That's entirely up to you. --Jim Emerson |
The era of Molly Ringwald's profitable collaboration with writer-producer-director John Hughes (Sixteen Candles, The Breakfast Club) was at its peak with this 1986 film (directed by Howard Deutch but in every sense part of the developing Hughes empire). Ringwald plays a high school girl on the budget side of the tracks, living with her warm and loving father (Harry Dean Stanton) and usually accompanied by her insecure best friend (Jon Cryer). When a wealthy but well-meaning boy (Andrew McCarthy) asks her out, her perspective is overturned and Cryer's character is threatened. As was the case in the mid-'80s, Hughes (who wrote the script and produced the film) brought his special feel for the cross-currents of adolescent life to this story. In its very commercial way, it is an honest, entertaining piece about growing pains. The attractive supporting cast (many of whom are much better known now) does a terrific job, and Ringwald and Cryer have excellent chemistry. --Tom Keogh |
Necessity, as the saying goes, is the mother of invention, and at no point has a cliché been so prescient as in the 1930s. During that era, Franklin Delano Roosevelt's New Deal took documentation to new heights in U.S. history, turning artists and artisans into government-sponsored vehicles for reportage and representation of both American ideals and the harsher set of realities citizens were dealing with. And this four-volume set, narrated by the instantly recognizable Mario Cuomo, leverages many of the Great Depression's own media-savvy documentary advances to tell the period's varied stories. Volume 1 covers the pre-New Deal era, as desperation hit farm hands and businesses and bank patrons, bringing the U.S. economy to its knees. Latter-day celebs chime in on the period, with James Michener's tales of his own rail-riding striking powerful bolts through the episode. Volume 2 spotlights the spotlight, the way mass media developed around themes of escape and promised lands--some rising from earlier historical eras--that somehow managed to both cornerstone pop culture and elude the vast majority of radio listeners and filmgoers. Here is the place where the era's media is so integral to this set, offering that great historical lifeblood: primary documents. Of course, not everyone bought the media meal, and the theme for Volume 3 is popular resistance. From the riots that infamously bookended the Harlem Renaissance to bank robber Pretty Boy Floyd, discontent was grounds for wide upheaval. Of great interest here is the worker-led organizing that so clearly lies in the vanguard of contemporary labor history. Finally, Volume 4, "Desperate Measures" centers on a trio of events: the "Battle of Washington," where President Herbert Hoover ordered the vaunted Douglas MacArthur to forcibly remove World War I veterans who had marched on the capital; the rise of Louisiana's firebrand populist Huey Long into the state governor's mansion; and the onset of World War II. By far the most comprehensive treatment of the period, this set is also exhaustively long, making it a delight for patient viewers--and educators. It's also painstakingly organized and produced and warrants repeated viewings. --Andrew Bartlett |
Pretty in pink, this three light chandelier has a wonderfully delicate look. Hand-rubbed antique white finish is draped by clear and pink droplets for added sparkle. Strands of light blue, pink and clear round beads create additional romance. With three pink bell shades and faux candle-drip covers. Uses three 60 watt candelabra bulbs (not included). 13 1/2" wide x 17" high. Shades are 4 3/4" high. Also available as a swag (sku 27319) |
Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story--and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cynical tale about prostitution called 3000--after the amount of money Richard Gere's character pays the prostitute to stay with him for the week). Gere is the silver-haired Wall Street knight who sweeps streetwalker Roberts into a fantasy world of room service at the Regent Beverly Wilshire Hotel and fashion boutique shopping on Rodeo Drive. The supporting cast is also appealing, including Laura San Giacomo as Roberts's hooker pal, Hector Elizondo as the hotel manager, Jason Alexander, Ralph Bellamy, and Hank Azaria. Now, is this something you want your sons and daughters to see? That's entirely up to you. --Jim Emerson |
The era of Molly Ringwald's profitable collaboration with writer-producer-director John Hughes (Sixteen Candles, The Breakfast Club) was at its peak with this 1986 film (directed by Howard Deutch but in every sense part of the developing Hughes empire). Ringwald plays a high school girl on the budget side of the tracks, living with her warm and loving father (Harry Dean Stanton) and usually accompanied by her insecure best friend (Jon Cryer). When a wealthy but well-meaning boy (Andrew McCarthy) asks her out, her perspective is overturned and Cryer's character is threatened. As was the case in the mid-'80s, Hughes (who wrote the script and produced the film) brought his special feel for the cross-currents of adolescent life to this story. In its very commercial way, it is an honest, entertaining piece about growing pains. The attractive supporting cast (many of whom are much better known now) does a terrific job, and Ringwald and Cryer have excellent chemistry. --Tom Keogh |
South African director Jamie Uys caught lightning in a bottle with The Gods Must Be Crazy--a Coke bottle, to be specific. This slaphappy collection of goofy pratfalls and culture-clash gags became an enormous international smash, and made a sort of star out of the Bushman selected to play the central role, the completely ingratiating N!Xau. He plays a man, unaware of white culture, who finds a Coca-Cola bottle in the Kalahari (dropped by a passing pilot) and promptly has his life turned around by this mystical object. The movie looks slipshod and even amateurish at times, yet its attitude is so bubbly it's hard to resist. Proving that physical comedy remains a true international language, millions of moviegoers around the world drank it up. --Robert Horton |
Marpac Sound Screen & SleepMate 980 combines American ingenuity and craftsmanship to create a lightweight, yet durable appliance capable of many years of reliable service. Marpac sound conditioners create a consistent, smooth sound of rushing air. The tone and volume of the sound are controlled by simply rotating the "cap" and "collar" of the housing. This "white noise" sound effectively masks unwanted noises and creates a sense of calm, making it easier to concentrate, relax and/or sleep. These sound conditioners are recommended for restless sleepers, shift workers, infants, children, students, apartment dwellers, office workers (for confidentiality) and many others. The dual speed 980 is made of durable plastic housing suitable for travel or use in the home or office. Marpac Sound Screen & SleepMate 980 combines American ingenuity and craftsmanship to create a lightweight, yet durable appliance capable of many years of reliable service. |
A resolutely masculine fragrance born from the sea, the sun, the earth, and the breeze of a Mediterranean island. Transparent, aromatic, and woody in nature Aqua Di Gio Pour Homme is a contemporary expression of masculinity, in an aura of marine notes, fruits, herbs, and woods. Fragrance notes: citrus notes, rosemary spiciness, jasmine, hint of wood and ocean breezes. Recommended use: casual. |
Londons Times Funny Panel Hollywood Cartoons - Brandy, Superstar, Pretty Good Drink Too - Mouse Pads
Brandy, Superstar, Pretty Good Drink Too Mouse Pad is measuring 8w x 8h x .25d, soft commercial quality high resolution product. The image is permanent and becomes part of the mouse pad surface. Our transfer method produces professional matte finish with Premium Quality and Superior image resolution. |
The Holgawood Pretty in Pink Camera... "A Leica in the hand might be quite continental, But Holgas are a girl's best friend." OMG... it's the ultimate photo accessory that's like, totally rad! The luscious pink exterior just screams femininity, and she's perfect for customizing with jewels, fur or glitter - whatever your inner diva can think of ! Like the obsession of a stampeding mob of relentless paparazzi, once you see all the attention she's bringing you, you'll know you're not just a photographic debutante... you're a photographic SUPERSTAR ! |
18908 Tommy Hilfiger Polo Ladies Ithaca Mini-Pique Golf Shirt. Made from 98%Cotton 2%Lycra. 2-piece woven collar band. Signature Ithaca stripe woven trim on inside of neck, inside placket, label patch and reinforced side vent seams. Green signature top button hole stitching. Flag logo on left chest. |
Dickies Medical Uniforms has revolutionized the uniform industry, creating fashionable garments that are leaders in both in quality and value. All Dickies Scrubs are designed with double bar tacks at pressure points for stronger seams, and are quality tested to ensure that they conform to their tough standards. Dickies know that Medical Professionals work hard around the clock to keep America healthy and happy. To salute your hard work, Dickies is committed to providing functional, fashionable uniforms that work as hard as you do, all at a great value. |
Our Gourmet cookies taste the best because we start with the best ingredients. When it comes to making great gourmet cookies we have a simple rule: You cant make Gourmet cookies without Gourmet ingredients. Fresh butter, finely ground flours, farm fresh eggs, gourmet chocolate, premeium cranberries, pure vanilla and the freshest spices combine to create a wonderful taste sensation. Sure to put a smile on everyones face, our assorted cookie selection is presented in a variety of beautiful signature boxes to fit any occasion. Send the cookies that Gourmet Magazine says are so fresh and flavorful, wed consider passing them off as our own. Assorted cookie flavors include: Chocolate Chunk, Oatmeal Raisin, Double Fudge & White Chocolate Cranberry. |
Our set includes a dipping bowl, an olive oil bottle that will hold 8 ounces of your favorites olive oil, and a recipe booklet. The Dipping Bowl is like those used in the Tuscan tradition of dipping crusty bread in a small bowl of seasoned oil. Ours is made of stoneware and is both microwave and dishwasher safe. The ?Little Book of Dipping Recipes? features ten gourmet oil dipping recipes along with tips for creating your own savory dips. Buon Appetito. |
