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Built in furnace humidifiers create whole house humidification. They trap mineral pollutants found in water, eliminate messy mineral dust and place clean, fresh moisture into the air. |
Four separate Alberto Vargas pin-ups from the 1940'sEach Magnet measures approximately 2" w x 6"h. Each magnet is rigid, flat, die-cut to the image?s shape and sports a full strong magnetic back. |
What a decade! Ten years of triumphs and tragedies, heartaches and heroics, hopes and humor. Watch powerful wartime footage, home movies and touching original stories interspersed with the music that made the 40s famous. Here are the fads, the fun, the hits and the headlines that made the 40s one of the most incredible decades ever. Episodes are: "1940-1942," "1942-1945," and "1945-1949." |
In Video One, 1940-1942, youi'll see America welcome the new decade with optimism then relive our fears as the war in Europe creeps closer. Suddenly the calm of a sleepy Hawaiian Sunday morning is shattered by Japanese bombers-Pearl Harbor! You'll take that "Sentimental Journey" with Doris Day ..hear Frank Sinatra promise "I'll Be Seeing You" as countless couples say a tearful goodbye and watch classic clips from the movies that captured our hearts -Penny Seranade, Orchestra Wives, Bataan and much more. It was the most momentous decade of the century: ten years of triumphs and tragedies, heartaches and heroics, hops and humor. Hear are the fads, the fun, the hits, the headlines, the hometown life and the decade's best-loved stars from stage screen, radio, records and early TV. Our award-winning producers bring you powerful wartime footage, never-berore seen home movies and touching original stories. |
Volume 3 - The '40s |
Doris Day fans will be dizzy with pleasure over The Doris Day Collection, Volume 2. This package of six Warner Bros. films covers the early phase of Day's movie career, including her debut picture, and is actually better and more of-a-piece than Warners' previous Day set. The box doesn't include anything from the later Rock Hudson stage of her career: This is the former Doris von Kappelhoff in full youthful sparkle, with her tomboyish attitude and freckled perkiness (and skillful singing, which is showcased in each film).Her 1948 debut, Romance on the High Seas, actually presents Day in a different light from her subsequent well-scrubbed image. (Maybe this is what co-star Oscar Levant meant when he later quipped, "I knew Doris Day before she was a virgin.") She's a sassy, hep-talking band singer, drawn into an unlikely (and extremely silly) plot involving confused identity during a South American cruise. Michael Curtiz might not be a comedy director, but the script is fun and there's no mistaking the spectacle of a star being born. The follow-up, My Dream Is Yours, returns Curtiz and leading man Jack Carson in a tale that has some parallels to Day's real life: she's a singer with a young child, looking for her breakthrough. The movie's a serviceable but humdrum backstage story with great vintage locations, and Bugs Bunny appears in a surreal dream sequence. The Technicolor shines here, as it does through much of the set; the only black-and-white film is I'll See You in My Dreams, an enjoyably low-key biopic of lyricist Gus Kahn (Danny Thomas), who wrote so many of the signature tunes of the 1920s. A great score ("Makin' Whoopee," "It Had to Be You") help this one past the conventions of the composer biopic; Doris plays Kahn's alpha-female wife. Day's rising popularity was confirmed with the success of On Moonlight Bay and By the Light of the Silvery Moon, a pair of old-timey musicals based on Booth Tarkington's "Penrod" stories. Nostalgia for the WWI era runs high in these sugary confections, with Doris paired with Gordon MacRae and a batch of vintage tunes. The strong ensemble and the backlot re-creation of a bygone era are almost impossible to resist. By her own account, Day was exhausted by her Warners contract at the time of Lucky Me, the latest film (1955) in this set. The lame showbiz story indicates as much, with Doris stranded in Miami and coming to the attention of composer Bob Cummings. The widescreen CinemaScope process gives some oomph to the musical numbers, and if Day herself was exhausted it doesn't show; America's sweetheart never failed to turn on the high beams, and it's easy to see why the moviegoing public needed her to twinkle. --Robert Horton |
Otto Preminger's Daisy Kenyon is an unsung beauty from Hollywood's golden age, a remarkably good and intelligent movie that's all the more gratifying because it could so easily have come out formulaic and sappy. In 1947 it was regarded (and implicitly shrugged off) as a "women's picture" or, more specifically, a "Joan Crawford picture." But there's more going on here. This was shortly after the Oscar for Mildred Pierce revived the actress's career, and the nature of a Crawford picture was changing since she had entered her (gasp) 40s. New York careerwoman Daisy (a magazine illustrator) is trying to break off her longtime affair with a high-profile lawyer and family man (Dana Andrews), and tentatively beginning a relationship with an attractive WWII veteran and widower (Henry Fonda). The men's roles are as important as Crawford's, and neither man is entirely what he first seems--Andrews a self-centered manipulator in all arenas, Fonda a poetic New Englander who used to design boats. Enough ambivalence, wounded psyches, and intimate violence surface to make the movie a kissing cousin to film noir... albeit a variation of noir in which no gun is pulled. Noir also leaks in through the gorgeous Fox craftsmanship. Leon Shamroy's lustrous lighting paints the characters and their studio-made, persuasively three-dimensional environs with insinuating shadow, while still serving director Preminger's penchant for fluid camerawork and mise-en-scène that doesn't dictate our attitudes toward the characters. The production is a model of Hollywood professionalism at every level, and the three star performances are each atypical and complex, with Crawford more restrained and thoughtful than we're accustomed to seeing her. And speaking of model performances, plan to rewatch the film while listening to the commentary by Foster Hirsch, author of the excellent critical biography, Otto Preminger: The Man Who Would Be King; Hirsch is especially sharp on Preminger's stylistic choices and the underappreciated Dana Andrews. --Richard T. Jameson |
"There's a jumper on the ledge...." And so, after a wordless opening sequence, begins Fourteen Hours, a taut thriller about a would-be suicide standing outside his hotel-room window on St. Patrick's Day. The jumper, nervously played by Richard Basehart, is counseled by a gallery of interested parties, including a beat cop (Paul Douglas) and the man's divorced parents (Agnes Moorehead and Robert Keith) and fiancée (Barbara Bel Geddes). Psychiatrist Martin Gabel provides some Freudian analysis of the situation. Along with the drama on the ledge, the film cruises through the reactions of the crowd below, from concerned to cynical. Among the huge ensemble are a surprising gallery of faces, including up-and-comers Grace Kelly, Jeffrey Hunter, and Debra Paget. Howard Da Silva is a cop, and Ossie Davis and Harvey Lembeck (both uncredited) are cab drivers. Director Henry Hathaway had made some of the Fox film noirs emphasizing realism and authentic location shooting (House on 92nd Street, Call Northside 777), and he takes a similar approach to the flavorful Manhattan sites here--albeit mostly within a one-block area. The movie's ticking-clock momentum holds up well, even if some of the social-concern material feels dated. And when you can cut to a vertiginous angle every few minutes, suspense is practically guaranteed. --Robert Horton |
Nice N Clean baby wipes compare with Huggies Natural Care baby wipes and are hypoallergenic, unscented, premoistened with aloe, vitamin E and alocohol-free. These convenient travel paks feature a resealable sticker top and 40 wipes per pak. Wipe size is 7 by 8 inches. (12 packs of 40 wipes included in this case) |
The compact Studiophile AV 40 powered reference monitors deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4? polypropylene-coated drivers and 3/4? ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 monitors also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response. If you require extra bass response, the Studiophile AV 40 monitors have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end?perfect for urban/dance music, DVDs and more. Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 monitors are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. Front-panel volume control Rear-panel on/off control Bass boost control MDF cabinet with bass reflex port design Frequency Response - 85 Hz - 20,0 |
4 A/V inputs with S-video, composite video, and stereo audio jacks * 1 A/V output with S-video, composite video, and stereo audio jacks * stereo mini jack output for connecting a portable recorder or powered speakers * no conversion between composite and S-video signals * 7-1/16"W x 1-3/4"H x 4"D * warranty: 1 year parts, 90 days labor |
Includes BB Bats, Bit-O-Honey, Bubble Gum Cigars, Canada Mints, C. Howard's Violet Gum, Candy Buttons, Candy Cigarettes, Charms Squares, Chuckles, Coconut Bars, French Chew, Jujubes, Kits Taffy, Long Boys, Pearson's Salted Nut Roll, Red Hots, Sen-Sen, Smith Brothers Licorice, Snaps, Sugar Daddy Pops, Teaberry Gum, Black Taffy, Bull's Eyes Caramel Creams, Chick-O-Stick Nuggets, Necco Assorted Wafers, Root Beer Barrels, Slo Pokes and Walnettos. |
39 tracks of Peggy Lee from the Capitol vaults, not one of which has ever been on CD and 13 of which have never been released! All mastered from the original tapes in original mono. Detailed annotation and fabulous period pictures straight from the estate accompany. |
This 4-CD box set includes 78 tracks featuring the great stars and songs of the 1940s. |
Imagine standing track side while a variety of passenger and freight trains pass by one at a time. These are original period recordings from the 40's and 50's of trains powered by American steam and diesel locomotives. It is a nostalgic and relaxing revisit to the way railroads use to sound. The collection includes steam passenger trains racing by at 75 mph with whistles blowing and diesel freights with horns sounding.
The CD contains 72 minutes of uninterrupted train sounds. This is not a sound effects library, but original recordings made 60 years ago. The CD includes:
Steam locomotives starting off, steam hissing and pistons chugging
Engineers blowing their whistles in signature style
Steam trains passing grade crossings while gates close and warning bells sound
High speed steam passenger trains approaching and disappearing into the night
Steam freights chugging out of the yard, pulling up to speed and rolling away
Diesels with freight cars clanking and wheels clacking
High and low speed diesels with horns blasting
B&O steam locomotives roaring by as cinders fly
My father, Harold Spicer, was a newspaper photographer for the Baltimore News American. When I was a boy, he took me to the Landsdowne grade crossing and Riverside Yards as he ran his then state-of-the-art wire recorder. After his death in 1972, I was able to rescue his photographs and recordings. I recently converted the recordings to this one-of-kind CD. Regrettably my father left no notes, but his photographs depict a time when Baltimore and Ohio locomotives barreled across the rails of Maryland. You can almost smell the coal smoke! |
 This is the replacement rocker cover for the FS-40S-C, and FS-40S-CX. This is located above the rockers. FEATURES: Black plastic construction. INCLUDES: One rocker cover REQUIRES: Installation onto engine. SPECS: Length: 34.6mm (1.37"") Width: 25.4mm (1.00"") Height: 10.7mm (0.42"") C.D. between mounting holes: 27mm (1.06"") cmc 01/09/02 ir/kh |
| This is the Intake Valve Assembly for the O.S. Max FS-40SC Surpass engine. The Intake Valve opens in conjunction with the Camshaft rotation to let the fuel/air mixture into the combustion chamber. FEATURES: Replaces worn Intake Valve assemblies INCLUDES: One Intake Valve One Valve Spring One Valve Spring Retainer One Valve Spring Seat REQUIRES: Installing all parts in the Intake Valve in the cylinder head |
CPU speed and memory are the two most important components determining the performance of a computer system. Since the CPU speed of high end systems (those that use RDRAM) from a few years ago is still more than sufficient in running most of today's applications, memory becomes the key to optimum system performance. Memory is the least expensive way to dramatically improve your computer's performance and it is as easy to install as changing the batteries of a flashlight. The amount of memory you install in your PC not only determines how many programs you can run simultaneously, it also affects how efficiently each program will perform. When your system runs out of memory it uses your hard drive. Hard drives have become faster but they are still only a very tiny fraction (1/10000) of the speed of memory. That's why your computer stalls when starting and switching screens and programs. Therefore, you should never allow your PC to run out of memory. Treat yourself to this cost-effective boost today. |
| 40 INCH SIMPLESIGN WITHOUT VEGAS |
40X-17X IDE Internal CD-ROM with enhanced IDE/ATAPI interface features less than 90ms average access time, 128KB buffer for look-ahead cache, it can be mounted horizontally or vertically and it accepts both 12 cm and 8 cm disks. The CD-ROM also boasts with a convenient tray loading and front panel audio jack and volume control. |
Literature and film buffs will be delighted by this collection of pulp novels, most of which were made into important films. James M. Cain's The Postman Always Rings Twice is a literary masterpiece with its spare prose invoking a savage, sexy, desperate world. It inspired no less than three great movies: Luchino Visconti's classic Ossessione, in 1942; the 1946 remake, starring John Garfield and Lana Turner and directed by the extraordinary Tay Garnett; and Bob Rafelson's underrated 1981 version with Jack Nicholson and Jessica Lange. When you read the magnificent source for these movies, you'll be astonished at how three different incarnations could all, in their own ways, be faithful to the novel. Cornell Woolrich's I Married a Dead Man also became three movies: No Man of Her Own, with Barbara Stanwyk; the French I Married a Shadow; and the American comedy, Mrs. Winterborne, which starred Shirley MacLaine and Ricki Lake. Edward Anderson's vivid Thieves Like Us was transformed into They Live by Night, Nicholas Ray's first important movie and one of the seminal noir films of the 1940s. It was brilliantly remade in 1974 by the great revisionist director Robert Altman. Kenneth Fearing's The Big Clock was transformed into a marvelous film starring Charles Laughton; 40 years later, the same source, retitled No Way Out, brought Kevin Costner to stardom. William Lindsay Gresham's Nightmare Alley was the source for Tyrone Power's best movie; Horace McCoy's experimental They Shoot Horses, Don't They? became one of the seminal films of the 1960s. These dark, evocative novels, when taken together, are a fascinating study of how words can inspire a magnificent variety of cinematic images and styles. |
Covering collectible glassware made after the Depression era, this is the only book available that deals exclusively with the mass-produced and handmade glassware from this period. For this new edition, 32 pages of patterns and information have been added, making a total of 67 patterns described, dated, sized, valued, and illustrated. Color photos throughout. |
From the African-American community's trusted authority, "Essence Guide to Healthy Living", is an interactive manual designed to help black women care for their bodies, minds and spirits. Covering both major health issues such as diabetes and heart disease and tackling everyday concerns from weight loss to balancing work and life, this handy guide has a reader-friendly tone, actionable service and chapters packed with checklists, inspiring real-life examples, space for journal entries and worksheets for readers to execute their own personal wellness plans. Developed with expert advice from leading physicians, nutritionists, fitness instructors, psychologists, spiritual gurus and other healthcare experts, "Essence Guide to Healthy Living" is designed to help black women lead healthier and better lives.This guide includes: step-by-step exercise plans; guidance for achieving emotional balance; tips for enjoying a healthy sex life; listing and explanation of medical tests; and, inspiring real-life weight-loss success stories. |
FREE SHIPPING (Continental US) High-quality American-made wheel assemblies Billet chromed custom aluminum hubs Chrome-plated steel rims in 40-- 60- or 80-spoke styles Polished stainless steel spokes with custom smooth nipples Bearings- seals and center spacer are included but not installed- allowing you to set bearing end play to your specifications and use your preferred wheel-bearing grease DOT-approved and trued to less than .005`` runout Applications for most popular models- charts below are arranged by wheel rim size and then by application Photo`s are for reference only. Please read item title carefully. |
| Scott's Performance SCOTTS DMPER ZX9R 98-99 RS-21-1529-40S |
| Firstgear KATHMANDU OVERPANT BK/GY 40S BLACK GREY 40S FTP.0905.01.M240 |
